Spectacle

Artist statement below.

"Sweet Fascination" oil on linen, 24x36" 2020 
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"Not One of those Who Can Easily Hide" oil on linen, 24x36" 2020
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"Spilling the Tea" oil on linen, 24x36" 2020
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"Sticky-Sweet" oil on linen, 24x36" 2020
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"Everything Nice" oil on linen, 24x36" 2020
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"Everything is Sunshine and Rainbows Apparently" oil on linen, 24x36" 2020
Private Collection.

"Always Smiling" oil on linen, 24x36" 2020
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"Taking Silly Seriously" oil on linen, 24x36" 2020
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"GRL PWR" oil on canvas, 48x60" 2019
Private collection.​​

"She Laughed as Loudly as She Wished" oil on canvas, 48x36" 2019
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"Resilience Comes in the Form of Rainbows," oil on canvas, 32x48" 2019
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"Doe, a Deer, a Female Deer" oil on canvas, 40x58" 2019
Private Collection.

"Pour Myself a Cup of Ambition" oil on canvas 48x60" 2019
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"Pretty Expectations" oil on canvas, 36x48" 2018
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"Perky Petals" oil on canvas 24x36" 2018.
​Private Collection.

"Blushing" oil on canvas, 40x60" 2018
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"Pink, Plastic & Proud," oil on canvas 48x60" 2017.
​Private Collection.

"Put on a Happy Face," oil on canvas, 24x36" 2017
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"Playing the Part," oil on canvas 34x46" 2017.
​Private Collection.

"Bright Lights and Lollipops," oil on canvas 32x48" 2016.
​Private Collection. 
​To inquire about the availability of prints of this painting and other work please contact info@vossgallery.art

"Everything's Coming Up Roses," oil on canvas 48x60" 2016.
​Private Collection.

"Thoughts on Being Agreeable," oil on canvas 32x48" 2016.
​Private Collection.

"Wallflower," oil on canvas 30x40" 2016
To inquire about the availability of this painting and other work please contact info@vossgallery.art

Installation View of Solo Exhibition at Glass Rice in San Francisco, 2017. Photography by John Janca. 

Spectacle

I enjoy making visually entertaining paintings that reflect the feminine spectacle. My work begins with a still life decoden reference, composed of tiny, plastic objects, undulating in fake frosting and sparkles. I manipulate and enlarge the imagery into bright, bold oil paintings. Conceptually I’m investigating the complex nature of girlhood in America, where young women simultaneously ingest messages of oppression and empowerment. My paintings engage with the aesthetics of joy as laid out by Ingrid Fetell Lee. Lee describes expressions of joy as a form of resistance, a theory that resonates with me. 

The oil paintings depict clusters of oversaturated, exuberant, sweet objects that take on a fantastical nature due to their enlarged scale. The viewer is invited to step into a bizarre world of personified desserts and theatrical playthings. My paintings reference the overwhelming pink toy aisle found in many American shops, with pop culture influences including Lucille Ball, Dolly Parton, John Waters, Barbarella, broadway musicals and Hello Kitty. 

I value artwork that is approachable to those both inside and outside of the artworld, work that is inclusive and engaging for all ages. As an American woman artist I revel in working with color in an impactful way, working in direct opposition to the prejudice that David Batchelor describes below. 
​
“In the first, colour is made out to be the property of some ‘foreign’ body - usually the feminine, the oriental, the primitive, the infantile, the vulgar, the queer or the pathological. In the second, colour is relegated to the realm of the superficial, the supplementary, the inessential or the cosmetic.” (David Batchelor, excerpt from Chromophobia, London: Reaktion, 2000, p. 23)

The over the top work is presented with a high level of energy, fun and a certain degree of silliness, contradicting a long history of painting where this type of work has been dismissed. With a complicated sense of fascination and a heightened curiosity, I present my ongoing series of oil paintings Spectacle.